You've outlined your plot meticulously. Every scene connects. Your protagonist's journey makes perfect sense in your head. But when beta readers get their hands on your manuscript, they keep asking: "Wait, why would she do that?" or "Where did that sword come from?"
You've got plot holes, and they're undermining your entire story.
Here's the thing: most plot holes don't come from bad plotting. They come from forgetting that readers can only know what you show them. The solution isn't to plot harder—it's to use what I call The Arsenal Audit Method, a systematic approach that combines Chekhov's Gun principles with Save the Cat's character archetypes to identify and eliminate logical gaps before they sabotage your story.
What the Arsenal Audit Method Actually Does
The Arsenal Audit Method works on a simple premise: every plot hole is either a missing setup (the reader doesn't know something they need to know) or a character acting inconsistently with their established archetype. By cross-referencing your story's "inventory" of established facts with your characters' archetypal behaviors, you can spot the gaps where logic falls apart.
Here's why this combination is so powerful: Chekhov's Gun teaches us that everything meaningful needs setup, but it doesn't tell us what needs setup. Save the Cat's archetypes show us how characters should behave based on their role, but they don't catch when we've failed to establish the tools, knowledge, or abilities our characters suddenly deploy.
Together, they create a complete diagnostic system.
The Three-Pass Arsenal Audit
Pass One: The Inventory List
Go through your manuscript and create a physical list of every skill, object, piece of knowledge, relationship, or character trait that your protagonist uses to advance the plot or solve a problem. Don't include background details—only items that have actual plot impact.
For each item, note:
- The scene where it first appears or is established
- The scene where it becomes plot-critical
- How many scenes separate introduction from payoff
If an item is used but never introduced, you've found a plot hole. If more than 30-50 pages separate introduction from use (depending on your book's length), readers may have forgotten about it—which creates a perceived plot hole even if you technically set it up.
Pass Two: The Archetype Behavior Check
Now review every major decision your characters make. For each decision, ask: "Does this align with my character's Save the Cat archetype?"
If your character is a Golden Fleece Hero (someone on a quest to find something external that will change them internally), they should make decisions that push forward toward that external goal, even when it's uncomfortable. If they suddenly abandon their quest without a clear transformation having occurred, that's a character logic hole.
If you've got a Monster in the House Catalyst (the character who releases or discovers the threat), they shouldn't conveniently know exactly how to destroy what they've unleashed unless you've established that expertise in Pass One.
Pass Three: The Cross-Reference
This is where the magic happens. Take your inventory list and check it against your character archetypes. Ask: "Given who this character is, would they realistically have access to this skill/object/knowledge?"
A Buddy Love Incomplete Hero whose entire arc is about learning to trust others shouldn't suddenly have an independent skillset that lets them save the day alone—unless you've explicitly established that skill earlier and shown why they're now willing to use it.
The Arsenal Audit in Action
Let me show you how this works with a concrete example.
Say you're writing a thriller where your protagonist, a small-town librarian, needs to escape from a locked basement in Act Three. In your draft, she picks the lock with a bobby pin.
Pass One reveals: You never established lock-picking skills, and bobby pins weren't mentioned in her appearance description or in any earlier scene.
Pass Two reveals: Your protagonist is a Save the Cat "Dumb and Dumber" type (an ordinary person in over their head). Lock-picking is too competent for someone who's been consistently portrayed as out of their depth.
Pass Three cross-reference: Even if you add a bobby pin to her hair in Act One (fixing the inventory problem), it still doesn't match her archetype (the character problem).
The Arsenal Audit solution: Instead of giving her a skill that contradicts her archetype, you establish in Act One that she's a true crime podcast obsessive (fits her librarian character) who once spent an afternoon trying to pick her own bathroom lock after hearing a podcast about it (specific setup). In the basement, she tries and mostly fails, but manages to loosen the lock enough that when her rescue arrives (fitting the "in over her head" archetype), she can help them break through.
You've maintained character consistency while fixing the logical gap.
Common Arsenal Audit Discoveries
When writers apply this method, they typically find:
Phantom objects: The gun that stops the villain in Act Three but was never established in Acts One or Two. Solution: Plant it early, even if it's just your protagonist noticing it in a drawer.
Convenience expertise: The romance protagonist who suddenly speaks fluent Portuguese in the climax despite being established as monolingual. Solution: Either establish the skill early or change the climax so they need help from their love interest (strengthening the relationship arc).
Archetype drift: The Mentor character who abandons their wisdom-sharing role to become an action hero. Solution: Either set up their hidden warrior past, or keep them in their lane and let the hero do the hero-ing.
Why This Method Works When General Plotting Doesn't
Most plotting advice tells you to outline carefully or revise thoroughly, but it doesn't give you a systematic way to find gaps. The Arsenal Audit Method works because it creates an external checklist you can verify against your manuscript. You're not just re-reading and hoping to spot problems—you're actively hunting for specific mismatches between character roles and plot mechanics.
It's the difference between proofreading and running spell-check: one relies on catching everything yourself, the other gives you a system to catch what you'd otherwise miss.
Your Turn to Audit
Start with one scene that's been bothering you—the one where you know something feels off but can't pinpoint why. Run it through all three passes. Check your inventory, verify archetypal behavior, and cross-reference them.
I guarantee you'll find the gap. And once you find it, you'll know exactly how to fix it in a way that strengthens both your plot logic and your character consistency.
That's not just fixing a plot hole. That's making your story bulletproof.